The screen mimics the sky, not the earth. It bombards the eye with light instead of waiting to repay the gift of vision. It is not simultaneously restful and lively, like a field full of flowers, or the face of a thinking human being, or a well-made typographic page. And we read the screen the way we read the sky: in quick sweeps, guessing at the weather from the changing shapes of clouds, of like astronomers, in magnified small bits, examining details.

— Robert Bringhurst, writing in The Elements of Typographic Style, which you’ve all read, right? (via Frank Chimero)

“Napoleon”, a scratchboard painting by Canadian artist Mark Summers from his Wicked Portraits series. (via Leonel Toribio)

“Napoleon”, a scratchboard painting by Canadian artist Mark Summers from his Wicked Portraits series. (via Leonel Toribio)

“Keeping It Together” (2009) painted in acrylic by Cleveland-based artist Amy Casey (via Leonel Toribio):


  Inspired by natural and unnatural disasters, personal fiascos and the never-ending stream of bad news coming in from the media, the world inside my paintings has been turned (sometimes literally) upside down. The ground has crumbled underneath them and the sky is falling. In the wake of this, my created world bands together to come up with coping plans. This lets me explore ideas of anxiety and vulnerability, community, and the illusions of safety. I’m fascinated by the resilience of life.

“Keeping It Together” (2009) painted in acrylic by Cleveland-based artist Amy Casey (via Leonel Toribio):

Inspired by natural and unnatural disasters, personal fiascos and the never-ending stream of bad news coming in from the media, the world inside my paintings has been turned (sometimes literally) upside down. The ground has crumbled underneath them and the sky is falling. In the wake of this, my created world bands together to come up with coping plans. This lets me explore ideas of anxiety and vulnerability, community, and the illusions of safety. I’m fascinated by the resilience of life.

35 films in two minutes: a clever, minimalist motion graphics piece animated by Felix Meyer and Pascal Monaco. I only managed about 20 first time through — how many can you spot?

For the release of director Christopher Nolan’s latest science-fiction mind-bender Inception, Wired lists its favourite 15 films from the genre. It’s a good list, including — along with notable classics 2001 and Brazil — Darren Aronofsky’s Pi and The Fountain, Michel Gondry’s Eternal Sunshine of the Spotless Mind, and my three favourite space films of the past few years, Duncan Jones’ Moon, Danny Boyle’s Sunshine and Steven Soderbergh’s remake of Solaris. Biggest omission: they forgot Primer. Again.

For the release of director Christopher Nolan’s latest science-fiction mind-bender Inception, Wired lists its favourite 15 films from the genre. It’s a good list, including — along with notable classics 2001 and Brazil — Darren Aronofsky’s Pi and The Fountain, Michel Gondry’s Eternal Sunshine of the Spotless Mind, and my three favourite space films of the past few years, Duncan Jones’ Moon, Danny Boyle’s Sunshine and Steven Soderbergh’s remake of Solaris. Biggest omission: they forgot Primer. Again.

Swiss holiday house in Rigi-Scheidegg, concrete and wood construction and quite some view. (via Shelby White)

Swiss holiday house in Rigi-Scheidegg, concrete and wood construction and quite some view. (via Shelby White)

“Beauty, Kentucky #5 (2003)” by Dutch photographer Marcel van der Vlugt. The full set consists of 63 images if you don’t mind the clunky Flash. (via Peter Nidzgorski)

“Beauty, Kentucky #5 (2003)” by Dutch photographer Marcel van der Vlugt. The full set consists of 63 images if you don’t mind the clunky Flash. (via Peter Nidzgorski)

Jez Burrows:


Yesterday I wrapped up work on Coming & Crying, the Kickstarter-powered first release from Melissa Gira Grant and Meaghan O’Connell’s Glass Houses Press. The perfect cover photograph is by Nikola Tamindzic, and I handled design duties inside and out.
Oh, also — Dolly is a hell of a typeface.

Jez Burrows:

Yesterday I wrapped up work on Coming & Crying, the Kickstarter-powered first release from Melissa Gira Grant and Meaghan O’Connell’s Glass Houses Press. The perfect cover photograph is by Nikola Tamindzic, and I handled design duties inside and out.

Oh, also — Dolly is a hell of a typeface.

Peter Vidani:

The feature pages on Grain & Gram are remarkable.

Peter Vidani:

The feature pages on Grain & Gram are remarkable.

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Heroes

Humming

  • Black Noise by Pantha du Prince
  • Broken Bells by Broken Bells
  • Contra by Vampire Weekend
  • Buffalo by The Phoenix Foundation

Highlights: 2008, 2007

Written and designed by Matthew Buchanan. Colophon. Please give credit. Email