Hoefler & Frere-Jones:


  A few years ago, we started wondering if there was a way to make a flat-sided sans serif that was disarming instead of brutish, one that employed confidence and subtlety instead of just raw testosterone. It was an unusual design brief for ourselves, completely without visual cues and trading in cultural associations instead: “more Steve McQueen than Steven Seagal,” reads one note; “whiskey highball, not a martini” suggests another. The result is Tungsten®, a tight family of high-impact fonts in four weights: muscular and persuasive, without sacrificing wit, versatility, or style.


I like the lighter weights in particular. Jonathan and Tobias can do no wrong. (via Mike McCarron)

Hoefler & Frere-Jones:

A few years ago, we started wondering if there was a way to make a flat-sided sans serif that was disarming instead of brutish, one that employed confidence and subtlety instead of just raw testosterone. It was an unusual design brief for ourselves, completely without visual cues and trading in cultural associations instead: “more Steve McQueen than Steven Seagal,” reads one note; “whiskey highball, not a martini” suggests another. The result is Tungsten®, a tight family of high-impact fonts in four weights: muscular and persuasive, without sacrificing wit, versatility, or style.

I like the lighter weights in particular. Jonathan and Tobias can do no wrong. (via Mike McCarron)

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Written and designed by Matthew Buchanan. Colophon. Please give credit. Email