A transmission from the deep south.
I mentioned Alex Roman’s work a couple of weeks back. Here’s what happens when motion is added to his beautiful stills: everything in The Third & The Seventh was created and animated in 3D software. I can’t fault a single frame. Watch it in HD.
Update: Alex has posted that not quite everything is 3D modelled. Elements sourced elsewhere include the photographer (shot on green screen), pigeons, timelapsed flowers, aeroplane and sky backgrounds.
An alternative view of the Stahl house, famously photographed by Julius Schulman. (via Matt Allen)
Incredibly realistic 3D renderings by Alex Roman. There’s a softness and artistry to these images — particularly the way they’re focused and lit — that completely sells them as real-life objects. (via Scott Hansen)
Neuschwanstein Castle in Bavaria, from the collection of the US Library of Congress. (via Hard Graft)
Dulles Airport Terminal, designed by Eero Saarinen in 1958. A retrospective of Saarinen’s work is on through January at the Museum of the City of New York. Regrettably something else we missed on the recent trip. (via Ck/ck)
In some shots it’s more obvious than others, but while this set may appear to be photography of Ludwig Mies van der Rohe’s Farnsworth House, it is in fact a 3D rendering by Peter Guthrie, using 3DS Max and V-Ray. (via Brian Everett)
I really want to see this.
Me too. I missed it at the Auckland International Film Festival, it screened just a few days after Shulman’s death.
♥ the Farnsworth House. (via Peter Nidzgorski)
From Jarred Bishop’s new Tumblr, Big Boy Legos.
Momo modular holiday house concept by Swedish company Grasshopper. (via Spaceships)
Written and designed by Matthew Buchanan. Colophon. Please give credit. Email
