Posts tagged with WEB RSS

Letterboxd:

We’re thrilled to announce that after 15 months of public beta, Letterboxd is no longer invitation-only. Today, deep in the Letterboxd HQ bunker, we threw the switch to remove the invitation code requirement during sign-up: Letterboxd is now open to all!

The social film site I and a few colleagues have been working on for the past couple of years is all grown up, and as of Friday, open to anyone to use. We’ve been thrilled with both the response to going live, and the support we’ve received for the site via our just-announced paid membership tiers. There’s plenty more good stuff coming, so if being obsessive about film is your thing, give it a go.

Letterboxd:

We’re thrilled to announce that after 15 months of public beta, Letterboxd is no longer invitation-only. Today, deep in the Letterboxd HQ bunker, we threw the switch to remove the invitation code requirement during sign-up: Letterboxd is now open to all!

The social film site I and a few colleagues have been working on for the past couple of years is all grown up, and as of Friday, open to anyone to use. We’ve been thrilled with both the response to going live, and the support we’ve received for the site via our just-announced paid membership tiers. There’s plenty more good stuff coming, so if being obsessive about film is your thing, give it a go.

The new Art of the Title went live today, and we had a hand in its re-imagining. All 220+ articles and interviews have been painstakingly re-constructed by editor-in-chief Ian Albinson and his team using a more flexible layout engine, and studios and title designers now have their own cross-referenced bio pages. Very happy to have this out there, go look!

Most people can’t discern good from bad typography but everybody can feel it.

— Oliver Reichenstein, writing on iA’s new, adaptive agency site about responsive typography, and the work his company has done to create multiple grades of its Nitti and iABC faces.

Letterboxd goes public

Letterboxd:

Today we’re pleased to announced our transition from private to public beta. All pages on Letterboxd are now publicly visible (except for those deemed private by their owners), and all new users are able to send invitations to friends immediately following sign up. Letterboxd will remain invitation-only for a period, to enable us to control our rate of growth.

Beyond thrilled to be able to pull the covers off our social film review site, as we transition to a public beta. Very proud of the team and what we’ve accomplished so far.

Letterboxd, the social film diary and review site I’ve been working on with a few colleagues over the past year, is nearing its public beta launch. We’ve continued to add to and improve the site since launching at Brooklyn Beta last October — film pages have had an overhaul as you can see above, among many other improvements.

If you’d like to be part of the private beta, drop your email address at letterboxd.com over the weekend, and we’ll get an invitation out to you early next week.

Offscreen magazine, a Kickstarter project from Melbournites Kai Brach and Jess Murray, is a little over $5,000 short of a modest goal with 3 days left to run on its campaign. Here’s the idea in their words:

Offscreen is a new, quarterly print magazine with an in-depth look at the life and work of people that create websites and apps shaping our digital lifestyle. We want to tell the less obvious human stories of creativity, passion and hard work that hide behind every interface.

The pair plan to print and distribute the inaugural issue regardless of whether they’re successfully kickstarted, and the list of interviewees for it is impressive: Tim van Damme, Dan Cederholm, Andrew Wilkinson, Drew Wilson, Blake Whitman, Ryan Singer, Lisa Bettany, Sam Brown and more.

Visit their Kickstarter page to contribute $25 (or more) to receive the first issue, or subscribe for email/Twitter updates.

The Dutch Icon collective, headed by Hemmo de Jonge, has an impressive collection of royalty-free work for sale. The examples above are just two of the 99 sets they’ve drawn to date, all of which are sold exclusively through iStockPhoto (which sadly means there’s no way to buy the complete series as a single set). The consistency and proportions are perfect throughout — alongside Drew Wilson’s Pictos sets, these are among the best stock icons I’ve seen.

For more similar resources, Meagan Fisher posted a great round-up of alternatives a month or two back.

The Dutch Icon collective, headed by Hemmo de Jonge, has an impressive collection of royalty-free work for sale. The examples above are just two of the 99 sets they’ve drawn to date, all of which are sold exclusively through iStockPhoto (which sadly means there’s no way to buy the complete series as a single set). The consistency and proportions are perfect throughout — alongside Drew Wilson’s Pictos sets, these are among the best stock icons I’ve seen.

For more similar resources, Meagan Fisher posted a great round-up of alternatives a month or two back.

Mike Harding:

For a good part of this year I’ve been working with the guys here at Cactuslab on a new site called Letterboxd. It’s a site for film lovers; a place where you can keep a log of the films you watch, rate or review them, and keep up with what your friends have been watching.

I demoed this service at Brooklyn Beta last month. The feedback has been terrific, and we are continuing to make improvements while in private beta mode. If you’d like early access, leave your email at the site, we’re inviting new users every few days.

Mike Harding:

For a good part of this year I’ve been working with the guys here at Cactuslab on a new site called Letterboxd. It’s a site for film lovers; a place where you can keep a log of the films you watch, rate or review them, and keep up with what your friends have been watching.

I demoed this service at Brooklyn Beta last month. The feedback has been terrific, and we are continuing to make improvements while in private beta mode. If you’d like early access, leave your email at the site, we’re inviting new users every few days.

Richard Miller’s Westin Black is a great take on the friendly slab, by way of Cooper Black. It’s now available for desktop and web use from Fontspring, as part of a new collection of rounded faces that also includes Museo Sans Rounded and Proxima Nova Soft.

Richard Miller’s Westin Black is a great take on the friendly slab, by way of Cooper Black. It’s now available for desktop and web use from Fontspring, as part of a new collection of rounded faces that also includes Museo Sans Rounded and Proxima Nova Soft.

Heroes

Humming

  • The Suburbs by Arcade Fire
  • The King Is Dead by The Decemberists
  • Passive Me, Agressive You by The Naked and Famous
  • Buffalo by The Phoenix Foundation

Past: 2009, 2008, 2007

Written and designed by Matthew Buchanan. Colophon. Please give credit. Email me.