“Grown Ocean” by Fleet Foxes, from the cheerfully titled new album Helplessness Blues, out May 3rd. (via Darren Wood)
Nathan Hickey’s video for “Buffalo”, the first single from The Phoenix Foundation’s forthcoming studio album of the same name, out at the end of this month. Band frontman Sam Scott:
It’s about a young lad who travels to an alternative hippy underwater universe (and a floating forest of enchanted wanderers…?) when he holds his breath. Which seems entirely appropriate companion to a song about a Buffalo who rumbles his way across the floor of the great Pacific ocean.
My favourite albums of 2009
(Oh look, it’s February. Please file under embarrassingly late.)
The Antlers’ Peter Silberman teamed with new bandmates to craft his first non-solo record, the tender and affecting tale of a terminally ill lover’s painful decline. Epic and desolate in equal measure, the Brooklyn trio’s Hospice tops a list that looks like this:
- Hospice — The Antlers
- xx — The xx
- Veckatimest — Grizzly Bear
- Chant Darling — Lawrence Arabia
- The Hazards Of Love — The Decemberists
- Noble Beast — Andrew Bird
- Wolfgang Amadeus Phoenix — Phoenix
- Followed By A Trail Of Sparks — Good Laika
- Sometimes I Wish We Were An Eagle — Bill Callahan
- Lungs — Florence + The Machine
Biggest surprise of the year was four (now three) 20-year-olds from South London whose sleek, sexed-up debut (xx) demonstrated experience and a command of the craft far beyond their years. The kids these days.
My favourite local albums were Silver Scroll winner James Milne’s alter ego, Lawrence Arabia, with an infectious collection of finely-tuned pop classics, and Wellington collective Good Laika, who delivered a darker, more restrained sophomore album that wasn’t without its upbeat moments.
The Grizzly Bear album is the band’s most accessible to date but didn’t charm everyone; I don’t mind admitting it took me a few listens through. The passing similarity to local indie darlings past Bressa Creeting Cake on the odd track didn’t hurt either.
Possibly against better judgement, Florence and her machine sneak in there at the end on the back of repeated listens in the lead up to a superb headline performance at the first Auckland Laneway Festival this past weekend. The album is overly-dramatic, stylistically muddled and one or two tracks too long, but the girl sings so heartily about boys and coffins that most of this is easily forgiven.
Also rans: Fever Ray’s self-titled solo release, M. Ward’s timeless Hold Time, Annie “St Vincent” Clark’s Woody-Allen-inspired Actor, Bombay Bicycle Club’s I Had The Blues But I Shook Them Loose (thanks Jarred for the introduction) and Noah And The Whale’s The First Days Of Spring.
“Hazelton” by Bon Iver vocalist Justin Vernon, from his 2006 solo record Hazeltons. (via Jarred Bishop)
“The Beautiful Young Crew”, a dissection of social set behaviour from Lawrence Arabia’s Chant Darling, one of my favourite albums of the year. (via The Burning Ear)
Bonnie “Prince” Billy covers Chris Knox’s “My Only Friend” for the tribute album Stroke, recorded by several musicians to help raise funds for Chris’s recovery from a stroke in June of this year. If you like the track, the gig is here in full, and you can read more about the album on Chris’s new site and buy it from Amplifier.
Oh my. A three-disc 21st anniversary reissue of one of my favourite albums, the Cure’s Disintegration, including 20 unreleased rarities and an extended cut of Entreat. Release date is set for the northern hemisphere spring. (via Adam McGechan)
