“Steve Zissou” (acrylic on black velvet) by Bruce White.
Need I remind you New Yorkers to go see Peter Stichbury’s “Superfluous Man” exhibition at Tracy Williams (West 23 Street) from November 8 to December 22? He rules.
We bought the original of this painting (Your Tomorrow, 2012) from the monumentally talented Henrietta Harris at her recent “Hold Still” exhibition. Still deciding where to hang it.
New Zealand rendered in paint, from my brother Ben’s New Zealand series. Coming soon to a t-shirt near you.
Go see Peter Stichbury at Tracy Williams Ltd.
“Napoleon”, a scratchboard painting by Canadian artist Mark Summers from his Wicked Portraits series. (via Leonel Toribio)
“Keeping It Together” (2009) painted in acrylic by Cleveland-based artist Amy Casey (via Leonel Toribio):
Inspired by natural and unnatural disasters, personal fiascos and the never-ending stream of bad news coming in from the media, the world inside my paintings has been turned (sometimes literally) upside down. The ground has crumbled underneath them and the sky is falling. In the wake of this, my created world bands together to come up with coping plans. This lets me explore ideas of anxiety and vulnerability, community, and the illusions of safety. I’m fascinated by the resilience of life.
Estelle 3 (2009), acrylic on linen by Peter Stichbury. Catch him at Art Los Angeles Contemporary from January 28–31 at the Pacific Design Center, West Hollywood.
In Radiolab We Trust
A limited, affordable set of prints by five international artists, designers and illustrators — Jez Burrows, Frank Chimero, Nicholas Felton, Meg Hunt, and Impactist — all profits from the sale of which (after some scant printing and packaging costs are reclaimed) will go entirely to Radiolab and WNYC, New York Public Radio. (via Nicholas Felton)
Meticulously detailed glass jellyfish by Danish artist Steffen Dam. (via Nicholas Felton)
