Swiss holiday house in Rigi-Scheidegg, concrete and wood construction and quite some view. (via Shelby White)
I mentioned Alex Roman’s work a couple of weeks back. Here’s what happens when motion is added to his beautiful stills: everything in The Third & The Seventh was created and animated in 3D software. I can’t fault a single frame. Watch it in HD.
Update: Alex has posted that not quite everything is 3D modelled. Elements sourced elsewhere include the photographer (shot on green screen), pigeons, timelapsed flowers, aeroplane and sky backgrounds.
An alternative view of the Stahl house, famously photographed by Julius Schulman. (via Matt Allen)
In some shots it’s more obvious than others, but while this set may appear to be photography of Ludwig Mies van der Rohe’s Farnsworth House, it is in fact a 3D rendering by Peter Guthrie, using 3DS Max and V-Ray. (via Brian Everett)
I really want to see this.
Me too. I missed it at the Auckland International Film Festival, it screened just a few days after Shulman’s death.
♥ the Farnsworth House. (via Peter Nidzgorski)
Austin City Homes logo by Ben Barry. (via Stephen Coles)
The Druzhba Holiday Center Hall in Yalta, Ukraine, designed by Igor Vasilevsky in 1984 and photographed by Frederic Chaubin. (via Grain Edit)
Better Homes and Gardens (September 1958) magazine cover illustrated by Jan Balet. (via The Mid-Century Modernist)
